The Palace of the Count of Sucena, now entirely abandoned, lies within a sprawling estate in the municipality of Águeda, boasting various structures, remnants of man-made lakes, and a cave. Upon our visit to the estate, we were taken aback by its vastness and intriguing features. Little did we know the extent of its size and historical significance.
The house features a spiral staircase leading down to an underground tunnel with multiple exits. One of these pathways leads to a cave and an artificial lake, evoking a sense of familiarity reminiscent of Quinta da Regaleira.
Although the cave appeared strikingly authentic from a distance, closer inspection revealed its artificial nature. Iron, cement, and other materials were cleverly utilized to sculpt its interior, showcasing meticulous craftsmanship. Sadly, the presence of vandalism was evident, with a gargoyle statue at the site having been defaced, its head missing.
José Rodrigues de Sucena, the Count of Sucena, was born in Borralha on April 13, 1850. Despite his father’s aspirations for an ecclesiastical path, José ventured to Brazil at the age of 17 in pursuit of a more prosperous life. Through determination and hard work, he thrived in various business ventures, including a religious items trade and a partnership in a prestigious clothing company.
Establishing himself in Rio de Janeiro, José erected a grand edifice housing his business operations and a lavishly adorned chapel. His success extended to Europe, where he garnered accolades such as the title of Knight of St. Gregory the Great and the position of Commander of the Order of Our Lady of the Conception of Vila Viçosa. Eventually ascending to the rank of Count of Sucena in 1904, he left behind a legacy of philanthropy, notably funding the construction of a hospital in Águeda, which remains operational to this day. José Rodrigues de Sucena passed away on April 15, 1925.
Following his demise, the estate passed through numerous hands, eventually falling into disrepair for reasons I could not ascertain, as evidenced by its current state depicted in the photographs.
